Uta­gawa KUNISADA (1786-um 1864/65) pupil of Uta­gawa Toyoku­ni (1769–1825) learned the genre of actor por­traits and the actor under Toyoku­ni kabu­ki ‑Illus­tra­tions ( kabu­ki — bour­geois the­ater in which music and dance are integrated.
The roles were played by male actors). For a long time Uta­gawa Kunisa­da was the focus of the Uta­gawa School and direct­ed it for over 40 years. He left the most works of all painters. His depic­tions of beau­ti­ful women ( bijin-ga ) and his por­traits of actors are among his best works. Kunisa­da is one of the most pro­duc­tive and com­mer­cial­ly suc­cess­ful rep­re­sen­ta­tives of Japan­ese wood­block prints. In accor­dance with the cur­rent pub­lic taste, he fur­ther devel­oped his style or changed it rad­i­cal­ly if nec­es­sary. Wood­cut artists of his time were guid­ed by his styl­is­tic guidelines.

Uta­gawa KUNISADA (1786-um 1864/65) pupil of Uta­gawa Toyoku­ni (1769–1825) learned the genre of actor por­traits and the actor under Toyoku­ni kabu­ki ‑Illus­tra­tions ( kabu­ki — bour­geois the­ater in which music and dance are integrated.
The roles were played by male actors). For a long time Uta­gawa Kunisa­da was the focus of the Uta­gawa School and direct­ed it for over 40 years. He left the most works of all painters. His depic­tions of beau­ti­ful women ( bijin-ga ) and his por­traits of actors are among his best works. Kunisa­da is one of the most pro­duc­tive and com­mer­cial­ly suc­cess­ful rep­re­sen­ta­tives of Japan­ese wood­block prints. In accor­dance with the cur­rent pub­lic taste, he fur­ther devel­oped his style or changed it rad­i­cal­ly if nec­es­sary. Wood­cut artists of his time were guid­ed by his styl­is­tic guidelines.


← back to archive list