Uta­gawa KUNIYOSHI (around 1797 / 98–1861) pupil of Uta­gawa Toyoku­ni (1769–1825), worked from 1814 to 1860 and, along with Uta­gawa Kunisa­da (1786–1864 / 65) and Uta­gawa Hiroshige (1797–1858), is one of the most famous war­riors and hero actors ( musha‑e ) its time. In his hero pic­tures, his the­ater pic­tures ( kabu­ki Scenes), his depic­tions of beau­ti­ful women ( bijin-ga) and pic­tures of west­ern land­scapes, he intro­duced new Euro­pean styles. From 1830 onwards, Kuniyoshi pub­lished car­i­ca­tures, illus­tra­tions of hero­ic episodes in Japan­ese his­to­ry, devot­ed him­self to mytho­log­i­cal top­ics and pro­duced out­stand­ing ghost representations.
Kuniyoshi is con­sid­ered a mas­ter of the uncan­ny and the drama.

Uta­gawa KUNIYOSHI (around 1797 / 98–1861) pupil of Uta­gawa Toyoku­ni (1769–1825), worked from 1814 to 1860 and, along with Uta­gawa Kunisa­da (1786–1864 / 65) and Uta­gawa Hiroshige (1797–1858), is one of the most famous war­riors and hero actors ( musha‑e ) its time. In his hero pic­tures, his the­ater pic­tures ( kabu­ki Scenes), his depic­tions of beau­ti­ful women ( bijin-ga) and pic­tures of west­ern land­scapes, he intro­duced new Euro­pean styles. From 1830 onwards, Kuniyoshi pub­lished car­i­ca­tures, illus­tra­tions of hero­ic episodes in Japan­ese his­to­ry, devot­ed him­self to mytho­log­i­cal top­ics and pro­duced out­stand­ing ghost representations.
Kuniyoshi is con­sid­ered a mas­ter of the uncan­ny and the drama.


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